11 and 12. November, 2020
12.00 to 16.00 (CET/Vienna time)
Register for the digital LAB/Zoom-presentations until November 8, 2020;
The Program as pdf
The art-research project “Genealogy of Amnesia” (FWF-PEEK Project, Academy of Fine Arts Vienna) in cooperation with Österreichisches Filmmuseum and kulturen in bewegung, an initiative by VIDC and the project “Smashing Wor(l)ds: Cultural Practices for re/Imagining & un/Learning Vocabularies,” supported by Creative Europe, Vienna, announces a collaborative two days of screenings, lectures, performative lab situations onto the topic of evaluating film and video languages to oppose discrimination, epistemic violence, invisibilized realities, lost memories, and closed archives. The two days lab situations will be going on with filmmakers, curators, students, and the younger generation of film and video artists and Viennese activist communities. New film languages will be discussed through processes of changing established narratives and imperial knowledge.
The program has two parts.
The first part is a two afternoons Digital LAB/Zoom-presentations by Tjaša Kancler (Barcelona), Saša Kesić (Belgrade), Christoph Kolar (AT), İklim Doğan (Turkey/AT), Mika Maruyama (Japan/AT) and Mai Lin (AT), Marissa Lobo (Brazil/AT) and Nevline Nnaji (USA/Germany).
The second part is a two-night screening program at Österreichisches Filmmuseum with films by Selma Doborac (AT), Nevline Nnaji (USA/Germany), and Morgan Quaintance (UK).
The collaborative film program presents a coming together of several partners: the Österreichisches Filmmuseum, the project “Smashing Wor(l)ds: Cultural Practices for re/Imagining & un/Learning Vocabularies,” supported by Creative Europe and led by kulturen in bewegung, an initiative by VIDC, and the art-research project “Genealogy of Amnesia” (FWF-PEEK Project AR 439, Academy of Fine Arts Vienna). It will be two days of intensive encounters of inspiring program of experimental, profoundly defiant film practices that oppose injustice, xenophobia, and systematic racist exclusions. (M. Gržinić)