FIBER space // Vol. I

In EFSUN / افسون, voices and strings intertwine in a sonic ritual that transcends the museum setting. Sakina Teyna and Stefan Fraunberger conjure up intermediate realms – where Kurdish bardic tradition meets spectral landscapes, where the hammered dulcimer becomes a resonance chamber for hidden languages. EFSUN is movement, memory, transformation – a space between radicalism, naivety and protective magic.

Torn between her two identities, Inès Khannoussi, who grew up in Austria, sets off on a road trip across Tunisia, visiting places from her childhood and asking people about how different things are, such as the Tunisian mentality, their own goals in life and their very personal view of happiness.

THE INFLUENZERS by Evandro Pedroni is a performance reflection on the dazzling world of social media – between live streaming and merchandise, TikTok rituals and inspired poses, between the desire to be loved and the fear of being cancelled. Poetic images emerge of failure, self-promotion and the beauty of filtered truths.
With: Lau Lukkarila and Mzamo Nondlwana

MachinedHuman! is an interactive installation by Jaskaran Singh that explores the boundary between humans and machines. Through movement, voice and emotion, participants enter into dialogue with a ‘sensory cyborg’ – a live experience about identity, technology and control between analogue and digital reality.

To live in a country where one doesn't speak the language—lost in words, in culture. Frida Robles, a Mexican artist and researcher in Vienna, explores this dislocation through art and text. Her work, rooted in healing and self-questioning, spans installations, performance, and theory. She teaches at the University of Vienna and the Academy of Fine Arts.

Nour Sokhon presents her debut album Beirut Birds and the video work Onion Is Definitely Tears, created in collaboration with Kaspar Ravel, at FIBER space. Her practice combines artistic research, interviews, field recordings and site-specific interventions, which she translates into sound, performance, installation and moving image.

HUUUM combines Iranian-influenced singing with free jazz, electronica, ambient and unusual rhythms to create a new form of club music. A transcultural soundscape emerges between microtonality, improvisation and linguistic diversity. HUUUM stands for synthesis, friction, movement – a dialogue between instruments, cultures and radical openness.

Mtasa is a Black queer DJ born and raised in Vienna. Active since 2016, she’s known for her eclectic sound and genre-blending sets—from electronic and experimental to amapiano and gqom. Her mixes tell stories, evoking emotion and vivid imagery, making her a standout voice in the Viennese DJ scene.